Jon Stahl builds comedy by making choices nobody sees. His work on Veep, HouseBroken, and independent projects isn’t driven by punchlines. It’s driven by the attitudes he plants before a scene even exists.

Scotty Landes has written his way through every corner of comedy and genre. Workaholics, Adam Devine’s House Party, Ma, The Machine, Messy, Deadcon. He builds stories by locking the audience to a point of view early, then stripping out anything that doesn’t earn its place.

Branko Ruzic's career crosses domestic TV writing, international development rooms, and intelligence-trained analysis. Most of what he does stays off the page, but it determines whether a story’s logic holds or collapses.

Hayley Blain Weinstein has shaped the people who drive shows like The Price Is Right, Intervention, Local Love, and branded campaigns for Walmart, Coca Cola, Netflix, and Mattel. Her work sits in the space between real story and real performance.

NBC News Now producer Chris LeClere has built his career on reading the room before the camera rolls. He moves between journalism, anthropology, and festivals, paying attention to what people reveal without meaning to. The result is work that shapes the story long before anyone sees it.

Stewart's work shows up on major recordings, festivals, and even film scores. In this conversation, he talks about the unseen decisions and discipline that shape what audiences actually hear.

J. Michael Collins has voiced national work for Boost Mobile, Helzberg Diamonds, and other brands people recognize on sound alone. We talked about authority, cadence, and the invisible decisions that decide whether a voice is believed.

David Burns is the mind behind trailers people remember without knowing why. He cuts, scores, and designs his own spots, building every frame and every note like it’s meant for the biggest screen in the room.

Derek Masterson has been shaping stories across theatre and film for years, with award-winning plays that filled Dublin houses and a documentary that found its way to festivals in Chicago, London, and Fastnet. He’s looking for the turn where the script finally clicks.

Don Muzquiz has run the backbone of tours for Alanis Morissette, Natalie Cole, Fantasia, and a long list of artists who look effortless because someone like him made the hard calls early. His work in touring and production management sets the real limits of a night.

Jason Wingham has been behind the impact of The Last of Us, Arrow, Fire Country, Superman and Lois, and hundreds of moments people never realize he built.

Josh GreenbArg is a writer and producer whose work spans studio features and TV comedy, with film credits on The Watch, Brüno, and Vanguard, and television credits including Farzar and Paradise PD for Netflix, plus writers room work on The Goldbergs.

Jeremy Kriss is a filmmaker who treats horror as a study in attention. Through films like Something Horrible, he explores how fear becomes a kind of focus and how imagination fills the dark with what we don’t want to see.

As a game developer, screenwriter, and narrative designer, Tennyson Stead has spent more than two decades building worlds that teach collaboration.

Douglas Frazier uses illusion to explore how people think and what they choose to see. Through storytelling and psychology, he reveals how attention can be shaped, directed, and quietly undone.